![]() ![]() don,t bring them into the library.don,t optimize them. Keep track of all this by creating a daily folder for each set of proxiesīring all the proxies in to FCPX. There are other more clever DIT ingest tools. then you can use either aces,or an input lut from the DOP to normalize everything Sorry if this question is to basic for this forum, but FCP X media management is a migraine starter.Ĭlick to expand.if your handing the project of to a colourist Is this a software bug or am I missing some details? ![]() This is a problem because I will have 45 shooting days to import/optimize and FCP X is putting everything on the same drive, witch will soon kill my media management estimation and leave me with a unwanted scary Media Library. This only happens with AVCHD file structure, as I try to import some Prores files and works fine. Leave original files in place option is checked by default so as Optimized media and Generate proxy.īut when I choose the folder to import, the *Leave media on place* option turns grey and FCP X import all the original footage inside the library. ![]() The cameras used on set are Sony As7II with AVCHD file structure, wich we import to the RAID and only after import to FCP X. The problem so far is regarding the DAILIES media import and some option that appear not to be working Leave original files in place. Usually I edit with Adobe CC, because I feel I can control better the ingest workflow and it has a more classic NLE approach. I had previous experience with this NLE and works fine for small media management. I´m currently pre-editing a long feature film and the software assign to this job is Final Cut Pro X (10.3.1). ![]()
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